Shanghai Alleys, Theatrical Practice, and Cinematic Spectatorship: From Street Angel (1937) to Fifth Generation Film
This article argues that a certain type of Shanghai film of the Republican period, exemplified by 1937’s Street Angel (馬路天使, Malu tianshi), makes use of a specific mode of spatial organization, modelled on the theatre, to represent the urban environment. In the case of Street Angel, an...
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| Format: | Article |
| Language: | English |
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SAGE Publishing
2010-01-01
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| Series: | Journal of Current Chinese Affairs |
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| Online Access: | http://hup.sub.uni-hamburg.de/giga/jcca/article/view/356 |