“Che tempo, che tempo”: Geology and Environment in Max Frisch’s Der Mensch erscheint im Holozän
Critical readings of Frisch’s Der Mensch erscheint im Holozän [Man in the Holocene] have tended to read its heterogeneous and inter-medial form as a code for the mental disintegration of its protagonist. This paper argues instead that this feature can be seen as a poetological engagement with geolog...
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| Format: | Article |
| Language: | English |
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International Graduate Centre for the Study of Culture
2016-11-01
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| Series: | On_Culture |
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| Online Access: | https://www.on-culture.org/journal/issue-2/voelker-geology-environment/ |