Have I None—‘I’d Kill You Both Before I Let Anyone Hurt You’—The Ethics of Loss and Dispossession in Contemporary British Dystopian Theatre
This article analyses two recent plays with dystopian setting, Edward Bond’s Have I None (2000) and Philip Ridley’s Mercury Fur (2005), with the aim of discovering how contemporary British dystopian theatre deals with the issue of loss from an ethical perspective. In imputing to loss a creative qual...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2017-10-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/3902 |