« Getting back to tough eternal verities » ? Cyril Connolly et la pensée du fragment dans The Unquiet Grave
The Unquiet Grave is the “major” work of a “minor” author who is mostly remembered as editor of Horizon in the 1940s. Defying all attempts at classification, the book derives from an aesthetics of the fragmentary, with the first three parts consisting of juxtaposed paragraphs, so concise at times th...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2010-06-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/3205 |