Semantic parallels of archaic Crimean Tatar musical terminology with the musical vocabulary of “Divan Lugat at-Turk” by Mahmud al-Kashgari in the context of the Turkic musical culture of the early Middle Ages
The process of the formation of the Crimean Tatar musical culture can be divided into post-Byzantine-Golden Horde, Tatar-Seljuk and Nogai Kypchak (Nogai) – Ottoman periods of the cultural genesis of the Crimean Tatar people. The fact that the ancestors of the steppe Crimean Tatars are the Turkic...
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| Format: | Article |
| Language: | English |
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Tatarstan Academy of Sciences, State Budgetary Institution “Shigabutdin Marjani Institute of History"
2020-12-01
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| Series: | Крымское историческое обозрение |
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| Online Access: | https://crimeanreview.ru/wp-content/uploads/2021/01/kio_2_2020_97-123.pdf |