The Postcolonial Self and the Other in Béla Tarr’s Werckmeister Harmonies
This work sets off to offer a polemical response to postcolonialist theories advanced by Homi Bhabha in his seminal work The Location of Culture, particularly to Bhabha’s famous notions of ambivalence and mimicry purportedly used as methods of struggle against colonialism. Reading Béla Tarr’s film W...
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| Format: | Article |
| Language: | English |
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Sciendo
2017-12-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2017-0002 |