Subjects and Objects of the Embodied Gaze: Abbas Kiarostami and the Real of the Individual Perspective
It is widely accepted that Abbas Kiarostami’s cinema revolves around the representation of the gaze. Many critics argue that he should be considered a late modernist who repeats the self-reflexive gestures of modernist European cinema decades after they were first introduced. The present paper will...
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| Format: | Article |
| Language: | English |
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Sciendo
2016-12-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2016-0018 |