Love is the Message: Barkley Hendricks’s MFSB Portrait Aesthetics
Barkley L. Hendricks’s (1945-2017) portraiture is considered in relation to camp’s liminal nature. Hendricks employs the camp techniques of surface emphasis, and affective audience engagement, to relay a political message of black agency. His portraiture is framed with dynamics of MFSB, a popular cu...
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| Format: | Article |
| Language: | English |
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De Gruyter
2017-12-01
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| Series: | Open Cultural Studies |
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| Online Access: | https://doi.org/10.1515/culture-2017-0057 |