“Where love can have its way”: Conformity versus Resistance in Brendan Kennelly’s Version of Federico García Lorca’s Blood Wedding (Bodas de sangre)
Considerable critical attention has been paid to Brendan Kennelly’s versions of the ancient Greek plays, Antigone, Medea, and The Trojan Women, while his version of Federico García Lorca’s Blood Wedding (Bodas de sangre) has largely been ignored. This article examines the ways in which Kennelly’s Bl...
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| Format: | Article |
| Language: | English |
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Asociación Española de Estudios Irlandeses
2009-03-01
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| Series: | Estudios Irlandeses |
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| Online Access: | http://www.estudiosirlandeses.org/wp-content/uploads/2013/05/pdfÅkePersson.pdf |