Music and Queered Temporality in Slave Play
This paper considers the representational role of music in theatre, and how music can help to communicate complex elements of ‘lived time’. I extract case studies from Jeremy O. Harris’ Slave Play (2019), a recent Broadway production which explores the impact in contemporary America of inherited tr...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Columbia University Libraries
2020-07-01
|
| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/6759 |