Opposition to the Cinema in Wyndham Lewis’s The Apes of God

The paper considers the influence of the cinema on the satirical novel The Apes of God (1930) by English modernist painter and writer Wyndham Lewis as contextualized by its author’s predominantly negative perception of the cinema in his fiction and criticism. For Lewis the critic, the cinema was an...

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Bibliographic Details
Main Author: Dmitry Sergeevich Tulyakov
Format: Article
Language:Russian
Published: Ural Federal University Press 2017-03-01
Series:Известия Уральского федерального университета. Серия 2: Гуманитарные науки
Subjects:
Online Access:https://journals.urfu.ru/index.php/Izvestia2/article/view/2313