The Grace of Destruction: A Vital Ethology of Extreme Cinemas, by Elena del Río, and Bodies in Pain: Emotion and the Cinema of Darren Aronofsky, by Tarja Laine
While graphic extremism in the cinema is certainly not new and can be traced back to the oeuvres of twentieth-century auteurs—such as Luis Buñuel, Pier Paolo Pasolini and Rainer Warner Fassbinder—a more recent urgency to characterise and define the parameters of extreme cinema has been inspired by J...
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| Format: | Article |
| Language: | English |
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University College Cork
2017-07-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue13/HTML/ReviewGunn.html |