Intermediality and Immersion in Gaudenzio Ferrari’s "Adoration of the Magi" in Chapel V of the Sacred Mountain of Varallo

This study proposes that intermediality in Renaissance art makes a strong impact on both the aesthetic space and the beholder’s attention, memory, and imagination. It does so by focusing on the vision of the Adoration of the Magi that Gaudenzio Ferrari realised in Chapel V of the Sacred Mountain of...

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Bibliographic Details
Main Author: Fabio Tononi
Format: Article
Language:English
Published: University of Bologna 2020-11-01
Series:PsicoArt
Subjects:
Online Access:https://psicoart.unibo.it/article/view/11445