The Impression of Reality and the Awareness of the Medium in Alexander Sokurov’s Family Trilogy
Drawing on Brigitte Peucker’s question – “in cinematic experience, what promotes the impression of reality, and when does medium awareness come into play?” – I examine how Sokurov’s family trilogy constitutes a certain oscillation between the immediate and the constructed. The films under discussion...
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| Format: | Article |
| Language: | English |
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Sciendo
2016-09-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2016-0001 |