Samuel Beckett’s Theatre: from “things” to “The Thing”
When one thinks of the stage in Beckett’s plays, one tends to see it as empty or in the process of becoming so. Indeed, the things, that is, to start with, the objects which are set up onstage and keep the characters busy, appear as remains, traces of what they could or might have been. They are the...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2009-03-01
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| Series: | Études Britanniques Contemporaines |
| Online Access: | http://journals.openedition.org/ebc/5962 |