Averroes, Islam, and Heterodoxy in the Spanish Chapel 'Triumph of St Thomas Aquinas'
This article examines Andrea di Bonaiuto’s image of Averroes in the Triumph of St Thomas Aquinas (Spanish Chapel, Florence: 1365–69), explored alongside Bonaiuto’s primary visual source, Lippo Memmi’s panel painting, Triumph of St Thomas Aquinas (Pisa, c. 1323–30), and Dante’s Commedia. I argue tha...
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| Format: | Article |
| Language: | deu |
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University of Milan
2019-08-01
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| Series: | Interfaces: A Journal of Medieval European Literatures |
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| Online Access: | https://riviste.unimi.it/interfaces/article/view/11197 |