Disidentification, Intimacy and the Cinematic Figuration of the Postcolonial in Europe
Discourses of European identity remain structured according to assumptions of those who belong and those who do not. My Son the Fanatic (Stephen Frears, 1997) will be analyzed to argue that the film transforms postcoloniality from a static identity into a dynamic form of relational subjectivity cruc...
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| Format: | Article |
| Language: | English |
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Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel
2020-11-01
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| Series: | Mise au Point |
| Online Access: | http://journals.openedition.org/map/4192 |