O espectro da morte ou “a eterna grinalda brilhante” em Neverness de Ana Teresa Pereira
“Benjamin observed that in memory (which is something different from memory understood as a motionless archive) we operate in the past, in a way we make it possible again”, says Giorgio Agamben. Based on this assumption, our intervention intends to analyze the theme of photography in the work of Ana...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Torino
2019-12-01
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| Series: | RiCognizioni |
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| Online Access: | https://www.ojs.unito.it/index.php/ricognizioni/article/view/3759 |