O espectro da morte ou “a eterna grinalda brilhante” em Neverness de Ana Teresa Pereira
“Benjamin observed that in memory (which is something different from memory understood as a motionless archive) we operate in the past, in a way we make it possible again”, says Giorgio Agamben. Based on this assumption, our intervention intends to analyze the theme of photography in the work of Ana...
Main Author: | Gaia Bertoneri |
---|---|
Format: | Article |
Language: | deu |
Published: |
Università degli Studi di Torino
2019-12-01
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Series: | RiCognizioni |
Subjects: | |
Online Access: | https://www.ojs.unito.it/index.php/ricognizioni/article/view/3759 |
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