Mokranjac in the works of his successors - from the citation imitation to the citation polemics
Using the interdisciplinary approach to Stevan Mokranjac’s Garlands [Rukoveti] and his successors in the Serbian choral music after World War II, while simultaneously relying on Dubravka Oraić Tolić’s Theory of Citation (1990), I have continued the work of distinguished scholars in the f...
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| Format: | Article |
| Language: | English |
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Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2017-01-01
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| Series: | Muzikologija |
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| Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2017/1450-98141722199B.pdf |