Tom Stoppard: European Phantom Pain and the Theatre of Faux Biography

The paper reads Stoppard’s work in the 21st century as further testimony of the gradual politicisation of his work that began in the 1970s under the influence of Czech dissidents, and particularly as a result of his visits to Russia and Prague in 1977. It also provides evidence that Stoppard, since...

Full description

Bibliographic Details
Main Author: Eckart Voigts
Format: Article
Language:English
Published: MDPI AG 2021-06-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/10/2/80