THE PATINA OF FILM. From time’s cinematic reproduction to History’s cinematographic representation
An attempt to put into a more systemic perspective all the possible relations bettween cinema and history. Four levels of historicity are proposed for film studies according to the particular way that each one of them inscribes time into film. The documental aspect inherent to film is discussed in r...
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| Format: | Article |
| Language: | English |
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Universidade de São Paulo
2011-12-01
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| Series: | Matrizes |
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| Online Access: | http://www.revistas.usp.br/matrizes/article/view/38249 |