See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema

Vivian Sobchack claims in Carnal Thoughts that human bodies are continually remade by the “technologies of photography, cinema, and the electronic media” (2004, 135). One such sphere of contemporary media that continuously redefines the notion of the human body is horror cinema. The recent advent of...

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Bibliographic Details
Main Author: Downes Sarah
Format: Article
Language:English
Published: Sciendo 2014-09-01
Series:Acta Universitatis Sapientiae: Film and Media Studies
Subjects:
Online Access:https://doi.org/10.2478/ausfm-2014-0030