See, Seeing, Seen, Saw: A Phenomenology of Ultra-Violent Cinema
Vivian Sobchack claims in Carnal Thoughts that human bodies are continually remade by the “technologies of photography, cinema, and the electronic media” (2004, 135). One such sphere of contemporary media that continuously redefines the notion of the human body is horror cinema. The recent advent of...
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| Format: | Article |
| Language: | English |
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Sciendo
2014-09-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.2478/ausfm-2014-0030 |