Fantasmas da escrita: Amor de perdição e o cinema epistolar de Manoel de Oliveira
In the closing sequence of Manoel de Oliveira's Amor de perdição (1978), Teresa’s last letter to Simão Botelho reveals the phantasmagoric nature of the cinematographic image: in the posthumous temporality of its reading, Teresa enters the scene as an apparition, projected by writing and permitt...
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| Format: | Article |
| Language: | English |
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American Portuguese Studies Association (APSA)
2017-06-01
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| Series: | Journal of Lusophone Studies |
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| Online Access: | https://jls.apsa.us/index.php/jls/article/view/141 |