Fotografía y violencia, los límites de la representación

Photography succes is, at least in the beginning, her aptitude to imitate reality. Technical improvements are proofs of this search of perfection. The counterface of this affirmation is the definition of photography as a certain record of Truth. This relies in dualistic comprehension of the reality....

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Bibliographic Details
Main Author: Diego Jarak
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2016-01-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:http://journals.openedition.org/alhim/5326