William Byrd and the limits of formal music analysis
Writing in 1962, Joseph Kerman was the first to speculate about potentially subversive political meanings in the Cantiones sacrae of the English Renaissance composer William Byrd, his two collections of motets published in 1589 and 1591, “voicing prayers, exhortations, and protests on behal...
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| Format: | Article |
| Language: | English |
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Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2020-01-01
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| Series: | Muzikologija |
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| Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2020/1450-98142028149C.pdf |