IRELAND ON SCREEN. A VIEW FROM SPAIN
The essay considers the vast output of existing cinematic representations of Ireland, prior to discussing one of its main strands -the persistent representation of Ireland as a pastoral Arcadia- and its most exemplary piece: John Ford's film The Quiet Man (1952). It is argued that despite being...
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| Format: | Article |
| Language: | English |
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Universidad de Murcia
2002-12-01
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| Series: | International Journal of English Studies (IJES) |
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| Online Access: | http://revistas.um.es/ijes/article/view/48731 |