Caccini’s Two Bodies: Problems of Text and Space in Early-Baroque Monody
Defined by their notational residue and connection to the Florentine Camerata, the solo songs of Giulio Caccini have functioned in style history as expected agents of instability and transition toward the early Baroque. However, Caccini¹s professional identity as a courtier/singer was more oriented...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Torino
2013-07-01
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| Series: | Gli Spazi della Musica |
| Online Access: | https://www.ojs.unito.it/index.php/spazidellamusica/article/view/404 |