Mimmo Paladino. Teatro del pensiero, teatro dell’oggetto
In this paper I consider the relationship between concept— assuming that it’s embedded in artwork — and visual representation. To this end, I first examine some of Paladino’s artworks considering them as: very classical, expressivist, postmodernist and anti-conceptualist. Finally, I assume the exhib...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2014-04-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/2338 |