Une nouvelle grâce : la peinture religieuse de Charles de La Fosse face à la crise de conscience européenne
This article reexamines Charles de La Fosse’s religious paintings in relation to the notion of grace, according to its definition both as divine aid and ineffable charm. Divine and aesthetic grace were intimately linked in the early modern period, but by the end of the seventeenth century their alli...
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Format: | Article |
Language: | English |
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Centre de Recherche du Château de Versailles
2006-03-01
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Series: | Bulletin du Centre de Recherche du Château de Versailles |
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Online Access: | http://journals.openedition.org/crcv/15567 |