Brazilian Art and the Dilemma of Globalization: Strategies of Internationalization and Cultural Affirmation in Two 1990s Biennials
This paper will address specifically the 24th edition of the São Paulo Biennial (1998), which took up Oswald de Andrade’s concept of anthropophagy as a guiding axis, but it will also bring to light the first edition of the Mercosul Biennial, which was held in 1997 in the city of P...
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| Format: | Article |
| Language: | English |
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MDPI AG
2019-10-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/8/4/136 |