Whose Canon? Culturalization versus Democratization
Current accounts – and particularly the critique – of canon formation are primarily based on some form of identity politics. In the 20th century a representational model of social identities replaced cultivation as the primary means to democratize the canons of the fine arts. In a parallel developme...
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| Format: | Article |
| Language: | English |
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Linköping University Electronic Press
2012-06-01
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| Series: | Culture Unbound: Journal of Current Cultural Research |
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| Online Access: | http://dx.doi.org/10.3384/cu.2000.1525.124257 |