‘Making and remaking history: categorising ‘conceptual art’ in contemporary Chinese art’
During the 1990s, curators and critics embraced conceptual art as a category for legitimizing Chinese art’s global and contemporary status. Conceptual art’s ambiguous parameters, critical cachet, and penchant for destabilization offered unprecedented opportunities for demonstrating Chinese art as g...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2014-06-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2014/06/wang.pdf |