In/Visibilities and Pseudo/Visibilities: the black woman’s portrait in the Bemposta chapel in Lisbon (1791-1792)

Giuseppe Trono’s painting in the Bemposta chapel, produced in 1791-1792, is the most representative artwork related to the social policies implemented by the Queen Mary I. This article focuses on the historical and artistic analyses to frame the political and religious context, and to clarify its m...

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Bibliographic Details
Main Author: Giuseppina Raggi
Format: Article
Language:English
Published: Universidade do Minho 2020-06-01
Series:Vista
Subjects:
Online Access:https://revistavista.pt/index.php/vista/article/view/3055