In/Visibilities and Pseudo/Visibilities: the black woman’s portrait in the Bemposta chapel in Lisbon (1791-1792)
Giuseppe Trono’s painting in the Bemposta chapel, produced in 1791-1792, is the most representative artwork related to the social policies implemented by the Queen Mary I. This article focuses on the historical and artistic analyses to frame the political and religious context, and to clarify its m...
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| Format: | Article |
| Language: | English |
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Universidade do Minho
2020-06-01
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| Series: | Vista |
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| Online Access: | https://revistavista.pt/index.php/vista/article/view/3055 |