To touch a ghost: Derrida’s work of mourning and haptic visuality in three films
This article represents an effort to outline the existence of a fundamental and unremarked-upon relationship between Jacques Derrida’s reconfiguration of the Freudian work of mourning and theorizations of haptic visuality. While Derrida is under-represented in film-theoretical discussions generally,...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2016-12-01
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| Series: | Cogent Arts & Humanities |
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| Online Access: | http://dx.doi.org/10.1080/23311983.2016.1197871 |