The Phenomenology of Trauma. Sound and Haptic Sensuality in Son of Saul
The winner of many prestigious prizes (Oscar for the best foreign language film, Grand Prize of the Cannes Film Festival, and the Golden Globe among them), the Hungarian film, Son of Saul – according to most critics – represents the Holocaust trauma in a completely new and intriguing way. The filmma...
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Format: | Article |
Language: | English |
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2016-12-01
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Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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Online Access: | https://doi.org/10.1515/ausfm-2016-0017 |