Da Gordon a Django. Figurazioni dell'eroismo e memoria della schiavitù negli Stati Uniti
Even before its release in 2012 Quentin Tarantino’s Django Unchained was the object of hot transatlantic discussions, mostly criticizing the film as one more item to add to the long list of “white savior narratives” produced by Hollywood and questioning the right of white authors to appropriate blac...
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| Format: | Article |
| Language: | English |
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Department of Foreign Languages and Literatures at the University of Verona
2015-12-01
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| Series: | Iperstoria |
| Online Access: | https://iperstoria.it/article/view/319 |