Home as Love: Transcending Positionality in Leila Aboulela’s <i>The Translator</i>
Contrary to hegemonic Western representations of Muslim women as victims of Islam and Muslim men, Sudanese-Scottish Leila Aboulela’s <i>The Translator</i> depicts a Muslim woman, Sammar, whose sense of home and belonging is predicated on her romantic love for her late cousin an...
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| Format: | Article |
| Language: | English |
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MDPI AG
2019-04-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/8/2/72 |