Parody as re-use and parody as laughing: three exemplary cases of forgery in the musical theatre
In the musical field 'parody' means first of all the borrowing of themes or whole compositions in the polyphonic practice (Missa parodia) during the 15th-18th centuries: these re-use is absolutely serious and the new work can be understood without recognizing the parodied object. The pape...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Cagliari
2016-11-01
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| Series: | Between |
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| Online Access: | http://ojs.unica.it/index.php/between/article/view/2172 |