<b>Interpreting hegemonic themes in the electronic <i>forró</i><b>
Current investigation analyzes hegemonic themes in the music of electronic forró (Brazilian dance). The critical theory of Theodor W. Adorno and Cultural Studies revealed: a) the main thematic patterns and clichés of the genre; b) the meanings of these thematic patterns; c) and some hypothetical imp...
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| Format: | Article |
| Language: | English |
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Universidade Estadual de Maringá
2014-03-01
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| Series: | Acta Scientiarum : Language and Culture |
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| Online Access: | http://186.233.154.254/ojs/index.php/ActaSciLangCult/article/view/20245 |