<i>Guiomar do Porto</i> or reading without losing the thread
The Auto de Guiomar do Porto must be placed at crossroads of the Renaissance Auto and the sequels of the Tragicomedy of Fernando de Rojas. My analysis is based on the concept of «representation», understood in three different ways. In a first theatrical sense, I will point out the similarities and d...
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| Format: | Article |
| Language: | English |
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Universidad de Valencia
2021-01-01
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| Series: | Celestinesca |
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| Online Access: | https://ojs.uv.es/index.php/celestinesca/article/view/20238 |