Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
How does a narrator use that scenic, articulate and composite material that we call ‘city’? To give an example, how and to what purpose is Carlo Emilio Gadda’s page – stylistically brimful, and apparently scarcely narrative – named after a city (Milano)? Based on similar questions, this article expl...
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| Format: | Article |
| Language: | English |
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University of Bologna
2020-06-01
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| Series: | Griseldaonline |
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| Online Access: | https://griseldaonline.unibo.it/article/view/10736 |