Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda

Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda

How does a narrator use that scenic, articulate and composite material that we call ‘city’? To give an example, how and to what purpose is Carlo Emilio Gadda’s page – stylistically brimful, and apparently scarcely narrative – named after a city (Milano)? Based on similar questions, this article expl...

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Bibliographic Details
Main Author: Riccardo Stracuzzi
Format: Article
Language:English
Published: University of Bologna 2020-06-01
Series:Griseldaonline
Subjects:
campagna
mise en abyme
rappresentazione
classi sociali
paratesti
Online Access:https://griseldaonline.unibo.it/article/view/10736
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spelling doaj-4180ae02798542e38997fba69a1bced62021-06-04T06:54:58ZengUniversity of BolognaGriseldaonline1721-47772020-06-01191598910.6092/issn.1721-4777/107369129Il fuoco della favola. Romanzo e città nell'«Adalgisa» di GaddaRiccardo Stracuzzi0https://orcid.org/0000-0001-9730-6820Alma Mater Studiorum – Università di BolognaHow does a narrator use that scenic, articulate and composite material that we call ‘city’? To give an example, how and to what purpose is Carlo Emilio Gadda’s page – stylistically brimful, and apparently scarcely narrative – named after a city (Milano)? Based on similar questions, this article explores L’Adalgisa. Disegni milanesi, a peculiar textual product that is located between two typical containers of narrative forms. Without being a novel, indeed, L’Adalgisa is no longer a collection of short stories.https://griseldaonline.unibo.it/article/view/10736campagnamise en abymerappresentazioneclassi socialiparatesti
collection DOAJ
language English
format Article
sources DOAJ
author Riccardo Stracuzzi
spellingShingle Riccardo Stracuzzi
Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
Griseldaonline
campagna
mise en abyme
rappresentazione
classi sociali
paratesti
author_facet Riccardo Stracuzzi
author_sort Riccardo Stracuzzi
title Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
title_short Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
title_full Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
title_fullStr Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
title_full_unstemmed Il fuoco della favola. Romanzo e città nell'«Adalgisa» di Gadda
title_sort il fuoco della favola. romanzo e città nell'«adalgisa» di gadda
publisher University of Bologna
series Griseldaonline
issn 1721-4777
publishDate 2020-06-01
description How does a narrator use that scenic, articulate and composite material that we call ‘city’? To give an example, how and to what purpose is Carlo Emilio Gadda’s page – stylistically brimful, and apparently scarcely narrative – named after a city (Milano)? Based on similar questions, this article explores L’Adalgisa. Disegni milanesi, a peculiar textual product that is located between two typical containers of narrative forms. Without being a novel, indeed, L’Adalgisa is no longer a collection of short stories.
topic campagna
mise en abyme
rappresentazione
classi sociali
paratesti
url https://griseldaonline.unibo.it/article/view/10736
work_keys_str_mv AT riccardostracuzzi ilfuocodellafavolaromanzoecittanelladalgisadigadda
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