Marcin Stańczyk’s Afterimages and Aftersounds – Reflections and Self-Reflections
One of the most frequently recurring topics in Marcin Stańczyk’s (b. 1977) self-commentaries is the idea of translating the phenomenon of afterimages into music, in the form of his original concept of aftersounds. Direct inspiration for this concept came from a cycle of solarist paintings by Władysł...
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Format: | Article |
Language: | English |
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Sciendo
2015-12-01
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Series: | Musicology Today |
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Online Access: | https://doi.org/10.1515/muso-2015-0014 |