Beethoven und der Fortschrittsgedanke
The bourgeois/middle-class Modernity chose music for its art-as-religion and made Beethoven the key figure of its ideals. As a consequence, the “romantic image of Beethoven” (Arnold Schmitz) idealizes the composer as being freed of all earthly restrains. The notion of progress was one of the main i...
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| Format: | Article |
| Language: | deu |
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Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
2015-06-01
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| Series: | Muzikološki Zbornik |
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| Online Access: | https://193.2.70.196/MuzikoloskiZbornik/article/view/3492 |