Improvising Compose Yourself

The post–World War II era in the USA saw the emergence of a high–modernist discursive project begun by Milton Babbitt (1916–2011) and students collected around him at Princeton University. But around 1970 the sustaining premises of musical discourse as a scientific pursuit were challenged by some o...

Full description

Bibliographic Details
Main Author: Scott Gleason
Format: Article
Language:English
Published: Columbia University Libraries 2013-03-01
Series:Current Musicology
Online Access:https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5285