Toda mi posesión está expropiada: supervivencia y subjetividad a partir de Aliento de Óscar Muñoz
This paper explores the intimacy between the work of mourning and the structure of subjectivity in light of the artistic reformulation of specularity that is displayed in Muñoz’s installation, Aliento. Following Jean-Luc Nancy’s ideas on the way in which intrusion and portraiture are implied in the...
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| Format: | Article |
| Language: | English |
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Universidad de Los Andes
2017-07-01
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| Series: | Hart |
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| Online Access: | https://revistas.uniandes.edu.co/doi/full/10.25025/hart01.2017.02 |