Machinic enculturation, copyright bots, and the aesthetics of composing mashups for machines
Sample-based media producers compose their art for machines. They implement aural effects and editing techniques to their source media, which very directly affect the sound of their music, but the aesthetics of which are not aimed at human ears; they are aimed at convincing copyright bots their medi...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Taylor & Francis Group
2020-01-01
|
| Series: | Journal of Aesthetics & Culture |
| Subjects: | |
| Online Access: | http://dx.doi.org/10.1080/20004214.2020.1831841 |